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Guy Neveling – Sacred Valley Photo Series

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Guy Neveling – Sacred Valley Photo Series

Guy Neveling – Sacred Valley Photo Series

“The Sacred Valley is the valley between the city of Cuzco and Machu Picchu in Peru. I took a train between the two points. To get in and out of the valley by train, there are five switchbacks that the train manoeuvres through in order to get up and down the steep change in altitude; it’s a lengthy process but once in the valley its worth it as it’s a special place. Personally I thought the quiet farmlands and villages of the Sacred Valley a better experience than the insane crowds at Machu Picchu. Machu Picchu is where I decided never to visit a tourist spot again.”

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Guy Neveling – Southern Ocean Photo Series

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Guy Neveling – Southern Ocean Photo Series

Guy Neveling – Southern Ocean Photo Series

“Sailing in 2013 from Ushuaia, at the tip of South America, on the then 101 year old square rigger, Europa, was a boyhood dream of going to the Antarctic fulfilled. Sailing through the infamous Drakes Passage to reach the ice took around 7 days. We spent around a week or so on the Antarctic Peninsula and surrounds. 
From then onward we picked up on the path of Shackleton’s epic voyage from Elephant Island to South Georgia. We were dropped off on the south coast of South Georgia and hiked over the mountains, again in Shackleton’s foot steps, to the abandoned whaling station Stromness. Stromness was the whaling station where Shackleton organised the final rescue mission for his men left on Elephant Island. We sailed from Stromness to Grytviken which is the only inhabited place left on South Georgia with a population of 8 at the time. On arrival we went to Shackletons grave and had a shot of whiskey in his honour.

From there we crossed the Southern Ocean which took around 12 days to Tristan Da Cunha island. Good weather gave us an opportunity for three days of shore landings; normally the stormy seas down there hinders landings, so we were lucky. Tristan is an interesting small patch of volcanic island in the middle of the Southern Ocean. It was founded by 7 families, and it’s prevalent in the distinct features passed down through each generation. The dogs too have only about 3 different family features to them.
After that it was the home stretch and another 15 days to Cape Town. Catching a glimpse of Cape Point lighthouse blinking from a southerly direction before sunrise is an image burned into my psyche, and then drifting into cellphone range and speaking to Merle for the first time in two months was something else I wont forget.
The entire journey, from Cape Horn to Cape of Good Hope, took two months.”

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Guy Neveling – Karoo Photo Series

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Guy Neveling – Karoo Photo Series

Guy Neveling – Karoo Photo Series

” Sitting in the back of the darkened car at night, travelling through the Karoo and heading home, I wondered what the sprinkling of lonely lights in the far distances were. The thought of human habitation out in that lonely darkness would shake me from the comfort zone of the speeding, enclosed family environment. At that age, the idea of living out there, in the dark, terrified me. Arriving back home and tucked snug in my bed, I would think of the lonely lights we had driven past hours before, wondering what they were doing at that moment and if they were safe?

It’s that maddening thing again, wisdom with age: if only I knew the things I know now back then. I now drive at length in the Karoo, avoiding the N1 that we used to speed up and down. I amble along the desolate back roads with no destination or arrival time in mind. The lone distant lights I was once afraid of pull me in like a moth to a stoep light. No more asking how much longer to go, but rather, how much longer can I stay. The silence at times broken by a distant barking dog, or better still, a jackal at night, is addictive. It’s getting difficult, the older I get, to go home.”

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Jodi Bieber -Bitter Berry Daybreak Photography Series

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Jodi Bieber -Bitter Berry Daybreak Photography Series

Jodi Bieber – Bitter Berry Daybreak Photography Series

Noord-Kaap / Kapa Bokone / The Northern Cape


Back in 1997 and 1998, Jodi spent three months travelling through towns like Pofadder, Nababeep, Eksteenfontein, Port Nolloth, Riemvasmaak and Pella, funded by a small grant from the National Arts Council. She shot everything in black and white. Portraits of the Bosluis Basters in Eksteenfontein (forced there under apartheid), the independent diamond divers of Port Nolloth, and families returning to Riemvasmaak after a successful land claim. Now, more than two decades after apartheid ended in 1994, she’s ready to go back and see how these communities have evolved.

The Northern Cape covers nearly 30 percent of South Africa’s land but held only 840,000 people or about 2.1 percent of the country’s population, in 1994. With just over two people per square kilometre, most communities are isolated, their daily lives rarely seen beyond the main centres. Two-thirds of residents speak Afrikaans as a first language, and 52 percent are classified as ‘Coloured,’ a fact that has shaped the region’s history and social rhythms.

Jodi’s work asks: how have political shifts, new technologies and economic changes woven into these remote towns’ everyday lives?

Visual archives like this matter… Not just for history books, but for all of us today. They shed light on stories that might otherwise go unrecorded and bring the realities of marginalised communities into sharper focus. For her planned monograph, Jodi will combine her original black and white archive with fresh colour images shot with a more contemporary vision.

In 2015, Jodi returned to Pofadder for two weeks, documenting people and the environment in both the town and the adjoining township. A new solar farm promising jobs and growth, alongside concerns over migrant labour, Spanish contractors who come for work since 1997, but leave after their contracts end, questions about the town’s future of fatherless children.
While alcohol abuse remains prevalent, community members now express concerns of rising drug addiction in the township, fears voiced about xenophobia against Ethiopian shopkeepers and the steady drift of younger white families toward nearby farms and larger cities, possibly for their kids to attend private schools. The township itself remains dry and sparse, with only some evidence of RDP housing.

Looking ahead, if social development programmes tied to the solar farm take root and job creation follows, Pofadder could look very different in five to ten years.

Jodi’s approach integrates portraits, landscapes and quiet daily moments, reflecting both the past to the present times captured.

Pofadder – 2015

All prints on display below are available to purchase, please enquire about editions & print details available below.

Bosluis Basters – Eksteenfontein

In the Richtersveld , a semi-arid desert in the Northern Cape, a community of around 500–800 people relies on goat farming and work in nearby mines. 
When Jodi first arrived, the town consisted of two small shops, a community centre, a guesthouse, a petrol pump, a bottle store and a handful of churches and still depended on generators for electricity. Electricity line was still being installed. 

The story of Eksteenfontein’s church speaks to the community’s resilience in the face of segregation. Around 1902, people classified as “Coloured” worshipped alongside white neighbours harmoniously, but had no ownership of land, schools or a permanent church. After relocating to an area known as “Vryland” (Free Land) in Bosmanland, they still didn’t have a church. An Eksteenfontein minister convinced a local white landowner to allow the community to build a church on his farm, but the conditions were that it couldn’t be a permenant structure. Every six months erecting the church, holding a week-long service before dismantling it again.

In the drought of 1933, that same minister secured government approval for some land then known as Stinkfontein. Community members then made journey by ox-wagon and donkey carts to what we now know as Eksteenfontein. The area was allocated to the “coloured” community, so white spouses had to renounce their “white” status and register as “Coloured” if they wished to remain with their families—many made that choice so they wouldn’t be torn apart.

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Jodi Bieber – Between Dogs & Wolves Photography Gallery

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Jodi Bieber – Between Dogs & Wolves Photography Gallery

Jodi Bieber – Between Dogs & Wolves Photography Gallery

Between Dogs and Wolves is the culmination of over ten years work by the award-winning South African photographer Jodi Bieber. Beginning in 1994 after South Africa’s first democratic elections, the book focuses on a generation of young people growing up on the fringes of South African society. Bieber takes us into one of the toughest neighbourhoods of Johannesburg, an area where gangs rule; into suburbs where prostitutes vary their rates depending on the colour of their clients; and shelters that are home to children living with HIV/Aids. We meet David, a 19-year-old living life on the edge, in the poor white neighbourhood of Fitas; but we also discover children training as dancers and musicians, as well as a father and son trapeze act – all have their dreams of escaping their reality.

This is a book that deals with the loss of innocence, and the instinct for survival – metaphors for the struggle that South Africa itself has faced over many decades.
Born in South Africa and now based in London, Jodi Bieber regularly contributes to major magazines, and works on special projects for non-profit organisations throughout the world. Her main passion and focus is on South Africa but she has also worked in many other countries including Iran, Iraq, and Pakistan as well as in the rest of Africa. She has won numerous awards, including seven World Press Awards, and has participated in numerous exhibitions internationally.

All prints on display below are available to purchase, please enquire about editions available below.

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